Posts tagged ‘toronto’

April 14, 2013

Rene Redzepi speaks from the heart in Toronto

[This article and video were first published on Vacay.ca on April 10, 2013.]

The world knows Rene Redzepi can cook, but who knew he could write?

On Monday afternoon, Redzepi stood in front of 500 attendees at the Terroir Symposium in Toronto and read from a manuscript he prepared especially for the conference. Candidly, he detailed his passion for food, the roots of that passion that go back to his childhood in rural Denmark, how being true to his desires propelled his culinary success, and why losing sight of those desires led to standing on a beach in Mexico and contemplating running away from Noma and the mania surrounding it. His words about the dangers of burning out were a generous gift to chefs in the audience striving to attain what Redzepi has accomplished at his Danish restaurant. They were also extremely well thought out sentences, carefully chosen nouns and verbs that resonated with emotion.

Redzepi spoke about how so many people were advising him to go against the ethic of Noma, which has always been about food and flavours first and foremost. The restaurant, which has topped the World’s 50 Best Restaurants list for three straight years, has never had the finest silverware or the most fashionable wait staff, but Redzepi has been encouraged in recent years to add such pretentiousness. Advisors told him to reach for more accolades and that meant more material luxury in his rustic dining space “as if a fucking bowtie would make the food taste better.” On top of those influences was the intense pressure of running a business that has faced more scrutiny in the culinary world than any other restaurant on the planet in the past four years.

“I said, ‘Why am I doing this?’” Redzepi said to the crowd at Terroir, an annual gathering that brings together international food industry professionals to discuss sustainability and better practices.

Afterwards, he told Vacay.ca and other media, “We got very confused at Noma when we first started having success. I went to cooking school to learn to whip a bernaise, not how to deal with the New York Times in a press conference.”

Like many accidental celebrities, Redzepi found himself performing tasks he never endeavoured to perform and, on top of 85-hour work weeks at the restaurant, the demands on his time resulted in a wish to escape. However, his drive to improve overwhelmed any thoughts of quitting. After introspection about how to deal with the stress and what it was doing to him, the 35-year-old said he chose to clutch onto the beliefs that made him so celebrated in the first place.

“I feel more energized than ever,” he said, explaining that any downbeat sentiments in his story were there as a cautionary note to other chefs. He urged them to not lose their vision, or allow it to be circumvented by people who feel they are better at business or public relations or management. “This was a story about memories and also a story about sticking to what you know.”

What Redzepi understands better than just about anyone is how to make the most of the quality of food within your grasp. When speaking about the use of unusual ingredients in his cuisine, he said, “It is all about a search for flavours, it has nothing to do with shock value.”

The ants that he uses in his dishes are “little tiny creatures” that have what he describes as an explosive taste exotic to Scandinavians. “Here we are in cold, grey, shitty, Protestant Denmark with our potatoes and our beet root, and suddenly you have the flavours of ginger and lemongrass to put on your beet root. That is magnificent.”

April 6, 2013

Lee Harvey Osmond brings on the folk

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Tom Wilson put together a stellar lineup during Lee Harvey Osmond’s recent show in Toronto. (Adrian Brijbassi photo)

[This article was originally published on Vacay.ca]

By its nature, roots music makes a statement through understatement. It uses poetry and art and subtlety to snake its way into a groove that listeners find themselves wanting to retrace time and again. If rock ‘n roll and hip hop are the Saturday night club, then roots and folk music are the neighbourhood coffee shop — the place we always wind up when we want to think and gain perspective and sense community.

Tom Wilson may look like Saturday night — and he’s no doubt enjoyed the rock lifestyle — but his songs have always had the elements of folk music, from their melodies to their characters who possess the depth necessary to connect a listener with their struggles.

On “The Folk Sinner,” the sophisticated second album by his Lee Harvey Osmond project, Wilson shows he’s at his finest these days when there is minimal bombast. With the goal of “serving the music first,” Wilson and his bandmates deliver an elegantly produced album with throaty vocals and a touch of First Nations texture in songs like “Big Chief.” It is reminiscent of Robbie Robertson’s brilliant self-titled album from 1987. “The Folk Sinner” also evokes another celebrated Canadian songwriter, Gordon Lightfoot. A cover of his song “Oh Linda” kicks off the album and was a highlight of Friday night’s performance inToronto that featured Wilson and several of his friends, who just happen to be among Canada’s most talented musicians.

Wilson’s Blackie and the Rodeo Kings bandmate Colin Linden performed “Oh Linda” while Michael Timmins of the Cowboy JunkiesOh Susanna, the Skydiggers‘ Andy Maize, and Paul Reddick were also on stage at the Great Hall for a 90-minute set that showed folk songs have no problem turning into rock music when infused with the energy of a live show and Wilson’s showmanship.

“That configuration has never played together before. They’re all friends of mine and have been for a long time. The idea was to serve the music, to put it first and see where it takes us,” Wilson told me on Tuesday.

A charismatic frontman, Wilson keeps audiences engaged with his humour, some of it self-effacing (“I’ve been on a no-wheat diet and I’m trimmed down and feeling good, but before the show I had a burger for the first time in months and I tell you, I owned that bun, man”), and talents, whether with his vocals or his on-stage antics. On “The Folk Sinner,” “Freedom” is a funky foot-tapping number highlighted by horns and slide guitar, but in concert it smoulders. With a riveting and fiery delivery, Wilson urges anyone within earshot to unshackle themselves and move.

Timmins’ sister, Margo, will be making appearances on upcoming tour dates, Wilson said. Hawksley Workman, who performs on the album’s first single, “Break Your Body Down,” will also join this rambling group of aging and congenial musicians who will show audiences that great concerts are still about great musicianship, not distracting choreography and lip-synching.

“We’re really astonished by the response. To be able to put 470 people into that hall is quite something,” Wilson said about Friday night’s show, which was part of Canadian Music Week festivities. “The album has been No. 1 in Canada already on the Americana Roots charts and we’re getting airplay in the States.”

April 3, 2013

Rene Redzepi of Noma to appear at Toronto’s Terroir Symposium

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Among the delegates at Terroir will be chef Marc Lepine, who created this inventive dish featuring lobster and crab at his Ottawa restaurant, Atelier.

[This article was originally published on Vacay.ca]

Arlene Stein has tried for three years to line up a date for Rene Redzepi to join Toronto’s food industry at the annual Terroir Symposium. This year the schedules aligned and the executive chef of Noma is the marquee name among a list of culinary stars ready to appear at Monday’s gathering that’s focused on encouraging better practices in the industry and celebrating local food.

“I made a film with Rene last year about Noma’s Saturday night menu, which is pretty significant and pretty fantastic. Getting to know Rene even more than I had before helped to build that relationship. We were trying to get him here for three years but in 2010 he and his wife had just had a baby, and last year our conference was four days away from the World’s 50 Best awards,” Stein, the event’s founder and chairperson, said last week. “This year he decided to come and we are thrilled. We have outstanding international chefs and amazing Canadian chefs.”

The day-long symposium will be held at the Arcadian Court, an Oliver & Bonacini venue at the historic Simpson Tower. It will include seminars that range from appetizing (cooking demonstrations) to thirst-quenching (craft brew workshop) to thought-provoking (a debate on “culinary cannibalism”).

Along with Redzepi, whose Copenhagen restaurant has ranked atop the World’s 50 Best Restaurants list for three straight years, other international chefs at Terroir will include Magnus Nilsson of Sweden’s Faviken, Kobe Desramaults of Michelin-starred In de Wulf in Belgium, and South African Peter Templehoff of The Collection by Liz McGrath.

Among the notable Canadian chefs in attendance are Marc Lepine of Ottawa‘s Atelier, Jeremy Charles ofRaymonds in St. John’s, and Connie DeSousa and John Jackson of CHARCUT in Calgary — all of whom will perform cooking demonstrations.

Terroir will be a more high-profile gathering than culinary events with larger advertising budgets and more prominent histories in Toronto. While it is a gathering for the industry and not for culinary travellers, it is still a tourism driver for the city.

“It’s subtle and very grassroots what we are doing,” Stein said. “We’re not overly swamped with people. You can stand in the halls and have a conversation. I think the chefs like that.”

While Terroir started in Toronto and is in its seventh year, Stein is aiming to expand to “another Canadian city.” The notion of Terroir — which to a great degree depends on the willingness of chefs to share their coveted ideas, practices, recipes, and sources — would not have worked in the 20th century, Stein said.

“We happened to come around just as the local food movement really started to take hold. It was a matter of being in the right place at the right time for us. We filled a gap in the marketplace because all of a sudden everyone needed more information and a way to build real resources around sustainability,” said Stein, who has spent recent months in Europe networking with several of the chefs who will be attending the symposium.

April 1, 2013

Gearing up for a promising Blue Jays season

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Jose Bautista and the Jays are poised for a big year. (Owais Qureshi/Vacay.ca)

“It’s designed to break your heart,” A. Bartlett Giamatti wrote about baseball. “The game begins in the spring, when everything is new again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops, and leaves you to face the fall alone.”

Giamatti was one of those tormented Red Sox fans of the 20th century. Their autumns and winters were never warmed by the memories of a championship, only the torturous thoughts of “what if?” He died in 1989, while in office as the commissioner of Major League Baseball, a few weeks before the Red Sox swooned again in September and lost the American League East title to the Toronto Blue Jays.

Back then, the Jays and Red Sox were similar because their fans shared a sense of doom. While what Torontowent through was nowhere near the devilish grief Boston endured for 86 years, the Blue Jays had suffered monumental and historic collapses. In 1985, they led the best-of-seven American League Championship Series against the Kansas City Royals 2-0 and 3-1, but George Brett’s bat blasted the Jays into winter earlier than anyone in Canada wanted, and baseball fans in Toronto became familiar with the meaning of the term “die-hard.” The pain became more intense after the team lost its final seven games in 1987 and missed the playoffs, even though it appeared for months that Canada’s first World Series title was a certainty.

Blue Jays supporters went through a discontented winter waiting for redemption and the sense of hope that flourishes in the sport each April. But 1988 was a failure and 1989 started out terribly and the Oakland A’s had assembled a juggernaut that dispatched the Jays with ease in the playoffs. Even though the Blue Jays owned baseball’s best cumulative record over a six-season period dating to 1984, it seemed like the window of chance had closed like an umpire’s fist on a strikeout call.

The rest you know. On December 5, 1990, the Blue Jays revamped their lineup — and their identity — through trades and free-agent signings. They reached the postseason from 1991-93, and won back-to-back championships, bringing euphoria to the city, as well as an indelible source of pride for all of those who zealously followed the team from spring to fall, season after season.

Fans today may find it hard to believe, but the Blue Jays once were the most successful team in baseball, becoming the first franchise to draw 4 million fans, selling out home games at the SkyDome (now Rogers Centre) at record levels. In recent years, the same stadium has seen its attendance rank among the lowest in baseball, with the Jays averaging just 25,921 fans in their 81 home games in 2012.

As Opening Day arrives, however, change comes with it. In 2013, the Blue Jays are in a position they haven’t been for two decades: They enter the season as World Series favourites.

The addition of three elite starting pitchers — Cy Young Award winner R.A. Dickey, Mark Buehrle and Josh Johnson — as well as All-Star position players Jose Reyes and Melky Cabrera ensure the Blue Jays will be one of the most exciting teams to watch. The offseason moves have rekindled thoughts of the feats former general manager Pat Gillick pulled off in the early 1990s. Whether this team truly can bring the glory days back to Toronto will not be revealed for months. For now, what we do know is the electricity that has been absent during the past 20 years — as the Jays have failed to come within even a warning-track flyball of the postseason — will be back. They are going to be competitive. Game days will be exciting, bars and restaurants will be full, hotels will enjoy a boost with visitors coming in to see the hottest show in town.

If you’re going to see a game, here are tips to enjoying the Blue Jays experience:

January 26, 2013

Diamond Rings takes on the world

[This article was published last month in Vacay.ca as part of its Rock 'n Roll Road Trips series. Diamond Rings has since been nominated for a SiriusXM Canadian Indie Music Award, whose show takes place March 22, 2013 during Canadian Music Week in Toronto.]

Diamond rings, John O’Regan says, are glamorous and tough. That’s why they’re the namesake of his on-stage persona, an act that has busted out of the Toronto music scene to earn superlative-laden reviews across the continent. One reason for the success is the fact diamond rings are mesmerizing too.

It’s difficult not to keep your eyes on O’Regan. For one thing, you have to make up your mind whether his act is an artistic form of self-expression or a schtick. One listen of his hit “I’m Just Me” should convince you he’s much more Ziggy Stardustthan Gary Glitter, which is to say that Diamond Rings has substance and cred. It’s quite possible the persona O’Regan has created is the most interesting act to come out of Canada since Arcade Fire. “I’m Just Me” comes across as a mantra for the sexually uncertain, the androgynous or the transgender, but like any great song it has universality to it, appealing to anyone who embraces their individuality when it clashes with bullies or the sensibilities of the establishment. There’s both a rebelliousness and a sweetness to the song, underscoring the duality O’Regan talks about in himself and his performance.

While most audiences are now hearing about Diamond Rings for the first time, O’Regan isn’t an overnight success. He’s been toiling in Toronto for several years, fronting the electro-pop band The D’urbervilles, recently renamed Matters. In Toronto, the 27-year-old spends his days in Roncesvalles, a historic neighbourhood known for its Polish heritage and proximity to High Park.

“I tend not to leave that neighbourhood when I’m at home. Being away, being in a rock band there is so much stimulation, a lot of long nights, a lot of loud music and loud clubs, and although Toronto is great for all that stuff, when I’m home it’s rarely what I want to do,” O’Regan said during an interview three weeks ago in a suite in the Ritz-Carlton Toronto.

Roncesvalles is beyond West Queen West, an area that’s become a cultural hub for the city, with vintage clothing stores, nightclubs, and a pair of notable boutique hotels, the Gladstone and the Drake, that are a breeding ground for artists of all sorts. O’Regan’s part of town is much more low key, although it does have two of the city’s best new restaurants in Hopgood’s Foodliner and Barque. Despite his flamboyant stage presence, O’Regan struck me as very much an introspective artist devoted to pushing himself and his work as far as he can, and that makes Roncesvalles a fit for him. It lacks the bustle and distractions of other areas of the city, allowing him to hole up and make music.

August 9, 2012

What to expect when Momofuku opens in Toronto

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The White Chocolate dessert is one of the most popular items at Momofuku-owned Ma Peche in New York. (Julia Pelish photo)

[This article first appeared in Vacay.ca and the Huffington Post.]

NEW YORK CITY — I visited New York last month to see what Torontonians can expect from the Momofuku experience when that restaurant empire makes its much-anticipated Canadian debut in the coming days — I didn’t think I would find the maitre d’ investigating too.

“I’m just seeing how things operate. Getting a feel for it,” says Joel Centeno, who moves over from the formal Auberge du Pommier to be the host at Daisho, the flagship restaurant of David Chang‘s ambitious enterprise that’s attached to the soon-to-open Shangri-la Hotel. The Momofuku Torontofranchise, whose debut was scheduled for July 28 but has been pushed back because of construction delays, will also feature three other eateries: Shōtō, whose Japanese name means “short sword” (Daisho is a term that refers to a set of samurai swords); Nikai, which means “second floor” and will be a level below the main restaurant; and a Momofuku noodle bar that will instantly be the hottest lunch spot in the city and possibly a go-to late-night choice as well.

It’s not only the most anticipated restaurant opening in Toronto in recent memory, it may be the one notable event that finally gets Canada taken seriously as a culinary destination around the world. No Canadian city has a Michelin restaurant guide, while there is one each for New York, San Francisco and Chicago. The country has gone nine straight years without placing a restaurant on the World’s 50 Best list, while Momofuku’s Ssam Bar in New York has made it two years in a row.

“Without a doubt, it instantly raises the city’s foodie cred,” award-winning food reporter Steve Dolinsky of Chicago, a regional chairman for the World’s 50 Best list, says of Momofuku’s foray across the border. “If Chang is able to maintain his high standards in a remote location — which includes consistency and his presence more than a few times per year — then I think it becomes one more important reason to visit Toronto.”

Chang said he spent more of his time in Sydney, Australia than he did in the Big Apple during the year he opened his only other Momofuku location outside of New York. With Toronto, it’s too early to know how much time he will be in Canada but he has a reputation for being a hands-on owner. As I discovered, Chang doesn’t have to be on-site for his restaurant to shine.

When I went to New York to see what all the fuss is about, I was impressed for reasons beyond the food.Má Pêche, the franchise’s restaurant in the Chambers Hotel in Manhattan, captures the spirit of a culture that’s post-recession, post-fine dining and eagerly communal, but has managed to elevate eating out to an activity akin to going to a fine art museum. We want top class, we don’t necessarily want to look like it in order to have the experience.

What The Black Hoof  — named Toronto’s top restaurant by Vacay.ca judges earlier this year — lacks in classy atmosphere, Daisho will possess thanks to the Shangri-la, the latest luxury accommodation to hit a downtown area that has seen the addition of Ritz-Carlton, Thompson and Trump properties in a short amount of time. What other restaurants in the city are missing in inventive cuisine, Momofuku’s brand will deliver.

There are Korean and Japanese influences, for sure, but the complexity of Chang’s cuisine redefines fusion. His chefs aren’t simply throwing stuff together and seeing what sticks — a characterization made by some early commenters of the New York operations —, they’re pushing the envelope the way great chefs from Grant Achatz to Michel Bras do. The steamed lobster bun at Má Pêche (or “mother peach”) is addictively good. The monkfish was so tender you could’ve mistaken it for poached lobster, while a bowl of curried carrots shocked with the deliciousness of its flavour. Desserts, including the famous White Chocolate that features salty popcorn and caramel, drive repeat business on their own.

July 12, 2012

Chicago rockers Filligar dig Toronto

[THIS ARTICLE WAS PUBLISHED LAST MONTH ON VACAY.CA, AFTER I SPOKE WITH THIS FANTASTIC BAND DURING THEIR TWO-NIGHT STOP IN TORONTO.]

Casey Gibson’s first time to Toronto came in March during a record heat wave, made all the more intense by Filligar’s performances during Canadian Music Week. Gibson and his bandmates from Chicago returned two weeks ago to find the city basking again in sunshine and the electricity of a music festival.

“Toronto, to me, is looking like a gem right now,” Gibson said prior to Filligar’s NXNE festival performance at the Gladstone Hotel Ballroom in the Queen West area. “I really haven’t been to many cities like it at all. It’s like Chicago but with a lot bigger downtown and with a lot of different neighbourhoods, it looks like.”

June 14, 2012

Friday Night Live at the ROM is a Toronto sensation

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The popular Friday Night Live series wraps ups at the ROM on June 22, 2012. (Julia Pelish photo)

[First published in Vacay.ca in May]

TORONTO, ONTARIO — Before this year, JT Stevenson hadn’t walked into the Royal Ontario Museum since he was 13. Back then, he had to leap to reach the hook to hang his coat. These days, Stevenson is grown up and back at the ROM every Friday night. The hooks he’s concerned about are the ones his DJs spin during the museum’s immensely popular Friday Night Live series, a weekly mashup of food, music, drink and some of the most valuable artwork in the country.

“I think it’s brought a lot of people back into the museum who haven’t been here since they were kids,” said Stevenson, who helps to run ElectriCITY, an event management company whose DJs spin around Toronto. “I think it’s fabulous and we’ve been here every week, we can see it getting bigger each time.”

Stevenson was at a recent event that coincided with the CONTACT photography festival. Along with the DJs, pop-up food eateries such as Jamie Kennedy’s Frites, an Asian noodle shop from c5 and popular Cuban sandwich company Fidel Gastro set up stations in the corners of the museum’s main lounge area.

A bar in the lobby pours out wine, beer and spirits, while tellers sell ROM Bucks, which look like strips of amusement-park tickets. They have to be used to purchase food and beverages because the food stations and bar aren’t stocked with change. The chefs also have restrictions on what they can serve.

“I can’t have an open flame,” said Matt Basile, owner of Fidel Gastro, “so there are quite a few sandwiches I’m not able to serve that I normally would.”

That limitation hasn’t hurt Basile, though. Lineups for the three sandwiches he does offer at the ROM — including a mac-and-cheese with pork and a delicious shredded butter chicken number — stretch into the dozens and he said he was sold out by 9 pm during the May 4 event.

Friday Night Live starts at 6 pm and runs until 11 pm, 90 minutes after the museum’s doors close.

The concept of turning museum space into a playground for adults isn’t new. Buenos Aires has held Museum Nights for years, where music and tango dancing take over many of the city’s art spaces, while New York, Rome and Paris have long had evenings where iconic museums morph into something resembling a disco. This type of ongoing series is new for Toronto — and Canada — and it’s been a bona fide hit from the outset. At 8 pm, lineups to enter the ROM look like what you’d find near 11:30 on club night in the Entertainment District.

“You’ll get two or three thousand people in here by 8:30,” Basile said while plating one of his sandwiches a few feet from a medieval-era knight’s armour kept in a glass case, adjacent to another case holding a necklace made by Pablo Picasso’s daughter. “This is a pretty cool place to have a party.”

Those who attend — the demographic is perhaps broader than any event in the city other than the Toronto International Film Festival — get the opportunity to visit the museum’s galleries and exhibits, which continue as they would on any other night, with volunteer guides to answer questions and give information about topics like the eyesight of birds and the blinding effects of tarantula hair. Since the inception of Friday Night Live, the guides have noticed some tipsy patrons and once a stickbug — a tiny insect with delicate appendages — lost two legs while being held by a guest who wasn’t prepared for the crawling creature’s fragility. “But it’s okay, their legs can grow back,” the guide said.