Posts tagged ‘china’

August 17, 2013

AGO welcomes Ai Weiwei exhibit to Toronto

ai-weiwei-ago-toronto

Ai Weiwei’s According to What? exhibit opens Saturday in Toronto. It’s the only Canadian appearance for the showcase. (Julia Pelish/Vacay.ca)

[Originally published on Vacay.ca on August 15, 2013]

TORONTO, ONTARIO — An earthquake thundered in Sichuan five years ago, unleashing devastation, a gush of tears, and one man’s torrid imagination. Ninety-thousand people died in the Sichuan disaster; 5,212 of them were children, almost all of whom perished in dilapidated schools built by the government. A few weeks after the earthquake, Ai Weiwei travelled approximately 1,500 kilometres from Beijing to the razed province in south-central China.

“I write every day, sometimes two articles a day,” Ai has said. “In Sichuan, I couldn’t write for a week. It was devasting. I was speechless.”

He was far from powerless, however. Ai took photographs and videos of the ruined towns. Most poignantly, he collected hundreds of knapsacks, which had been left strewn in rubble, the most awful kind of litter you could imagine. The knapsacks belonged to the children whose deaths have inspired Ai to change his world through relentless attempts to make the Chinese government more transparent and accountable.

Ai turned the backpacks into a serpent, a black-and-white polyester statement about what he believes is China’s treacherous treatment of its impoverished citizens and government corruption. The serpent is a symbol thick with meaning in China and Ai’s use of it in this context — with the backpacks representing the blood of the Sichuan children — is his way of shouting, “This is what you really are.”

Made from 883 knapsacks, Snake Ceiling has hovered on display at the Art Gallery of Ontario since this spring. The rest of the “Ai Weiwei: According to What?” exhibit begins its only Canadian appearance this weekend at the Toronto museum. It is a thought-provoking showcase of an artist who is affecting the world while in his prime — a rarity. Ai has gone from mischievous rebel who would photograph his upraised middle finger in front of icons such as the White House, Eiffel Tower and Tiananmen Square to a gutsy critic with a clear focus on doing whatever he can to break China away from its old and anachronistic policies and predilections.

“It’s not often you get to talk about art and the state of the world at the same time,” AGO’s director and CEO Matthew Teitelbaum said during a news conference on Wednesday that unveiled the exhibit. “When you can place in front of a community an artist who is struggling to be heard it is an important moment.”

His rebelliousness left Ai under house arrest in Beijing two years ago. That was a bad move by China. Not just for the image of oppression it presents to the world, but for the fact that confining your most outspoken critic to his studio is akin to forcing a teenage hacker to remain locked in his parents’ basement with four desktop computers and unlimited Internet access. Relegated to his studio called 258 Fake, Ai created more provocative art that challenges the Chinese regime he has already embarrassed time and again. The government also detained him for 81 days, citing a range of charges, banned his blog and name from appearing on search engines within China, and confiscated his passport, another act that has served to make a martyr of him. Activists around the world have rallied to raise awareness. A “Free Ai Weiwei” campaign has snaked through the art world and student campuses and into some mainstream outlets. In May, Ai released his first music video, set to the expletive-rich song “Dumbass”that swipes once more at government restrictions.

read more »

Advertisements
May 26, 2013

Explaining Canada’s tourism strategy

Ottawa-Rideau-Canal

Ottawa hosted this year’s Rendez-vous Canada industry conference. (Julia Pelish/Vacay.ca)

[This column was first published in Vacay.ca on May 17, 2013, and later appeared on the Huffington Post.]

OTTAWA, ONTARIO — The Canadian Tourism Commission has come under unwanted and ignorant criticism this month. The truth is, any of us would be hard-pressed to find a government agency that manages to do more with less than the CTC. Its budget has been slashed by 20% to $58.5 million from the 2012 level of $72 million, a sum that had also been reduced from previous years. Yet, the Canadian tourism industry grew 4.2% in 2012, increasing its revenue to $81.9 billion. A $100-billion target has been set for 2015.

“We’re the little engine that could,” Michele McKenzie said on May 3 in Cape Breton while attending that Nova Scotia region’s annual tourism conference and she underscored that sentiment a week later at Rendez-vous Canada, a yearly gathering of Canada’s tourism and trade industry.

In the face of relentless competition and staggering budget cuts, the CTC has deployed a strategy that involves provincial and municipal tourism boards and agencies focusing on traditional markets like the United States. On the federal level, the CTC is pushing all of its efforts toward attracting consumers from Brazil, India, China and Australia — nations where revenue potential is immense. The economies of Brazil, India and China are going to continue to grow and their citizens are will travel farther afield, and Canada has an opportunity to ensure consistent travel from those populations. Australians are used to long flights and the ascent in value of their currency allows many of them to fulfill the dream of venturing to Canada.

read more »