Posts tagged ‘lee harvey osmond’

April 6, 2013

Lee Harvey Osmond brings on the folk


Tom Wilson put together a stellar lineup during Lee Harvey Osmond’s recent show in Toronto. (Adrian Brijbassi photo)

[This article was originally published on]

By its nature, roots music makes a statement through understatement. It uses poetry and art and subtlety to snake its way into a groove that listeners find themselves wanting to retrace time and again. If rock ‘n roll and hip hop are the Saturday night club, then roots and folk music are the neighbourhood coffee shop — the place we always wind up when we want to think and gain perspective and sense community.

Tom Wilson may look like Saturday night — and he’s no doubt enjoyed the rock lifestyle — but his songs have always had the elements of folk music, from their melodies to their characters who possess the depth necessary to connect a listener with their struggles.

On “The Folk Sinner,” the sophisticated second album by his Lee Harvey Osmond project, Wilson shows he’s at his finest these days when there is minimal bombast. With the goal of “serving the music first,” Wilson and his bandmates deliver an elegantly produced album with throaty vocals and a touch of First Nations texture in songs like “Big Chief.” It is reminiscent of Robbie Robertson’s brilliant self-titled album from 1987. “The Folk Sinner” also evokes another celebrated Canadian songwriter, Gordon Lightfoot. A cover of his song “Oh Linda” kicks off the album and was a highlight of Friday night’s performance inToronto that featured Wilson and several of his friends, who just happen to be among Canada’s most talented musicians.

Wilson’s Blackie and the Rodeo Kings bandmate Colin Linden performed “Oh Linda” while Michael Timmins of the Cowboy JunkiesOh Susanna, the Skydiggers‘ Andy Maize, and Paul Reddick were also on stage at the Great Hall for a 90-minute set that showed folk songs have no problem turning into rock music when infused with the energy of a live show and Wilson’s showmanship.

“That configuration has never played together before. They’re all friends of mine and have been for a long time. The idea was to serve the music, to put it first and see where it takes us,” Wilson told me on Tuesday.

A charismatic frontman, Wilson keeps audiences engaged with his humour, some of it self-effacing (“I’ve been on a no-wheat diet and I’m trimmed down and feeling good, but before the show I had a burger for the first time in months and I tell you, I owned that bun, man”), and talents, whether with his vocals or his on-stage antics. On “The Folk Sinner,” “Freedom” is a funky foot-tapping number highlighted by horns and slide guitar, but in concert it smoulders. With a riveting and fiery delivery, Wilson urges anyone within earshot to unshackle themselves and move.

Timmins’ sister, Margo, will be making appearances on upcoming tour dates, Wilson said. Hawksley Workman, who performs on the album’s first single, “Break Your Body Down,” will also join this rambling group of aging and congenial musicians who will show audiences that great concerts are still about great musicianship, not distracting choreography and lip-synching.

“We’re really astonished by the response. To be able to put 470 people into that hall is quite something,” Wilson said about Friday night’s show, which was part of Canadian Music Week festivities. “The album has been No. 1 in Canada already on the Americana Roots charts and we’re getting airplay in the States.”

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June 3, 2011

Tom Wilson talks travel, Blackie & the Rodeo Kings and life

Tom Wilson at Union Station in TorontoTom Wilson may look exactly what you would think a rock star would look like. His personality, though, is blue collar and down to earth. I found Wilson early Sunday afternoon lounging on a metal seat at Union Station as he waited to catch a GO Bus back to Hamilton. We were meeting to discuss his travels for an upcoming article for the “On the Road” series in the Star.

He impressed me for a number of reasons, not least of which was his genuine interest in Julia and me. He asked where we were from and had great things to say — and terrific, albeit unmentionable stories to share — about her hometown (Poughkeepsie, N.Y.) and mine (Kitchener). Once he was on his bus, he emailed to thank us for making him feel comfortable.

Musicians don’t do that. Actually, few people in any walk of life do that.

As well as being gracious, Wilson also spoke thoughtfully about a variety of issues and shared photos of a trip he took to Versailles with his kids on his 50th birthday a couple of years ago, where he had a bit of fun with narcotics at Marie Antoinette’s estate. (He’d just come back from Amsterdam – what do you expect?)

Most importantly, though, is the excitement building toward the release of the seventh Blackie & the Rodeo Kings album, “Kings and Queens,” due out Tuesday, June 14. You may not have heard a lot of music from the band, but I think they’re going to get plenty of critical praise in coming months. Tom teams with Colin Linden and Stephen Fearing in BARK and “Kings and Queens” features vocals from a host of big names: Roseanne Cash, Patti Scialfa, Holy Cole, Emmylou Harris, Sam Phillips, Serena Ryder and Lucinda Williams among them.

“You had to write for those voices and hopefully they would like those songs,” Wilson says about the challenge of penning tunes for the album’s stellar roster of guest vocalists. “We had to jump through fiery hoops to write those songs and Colin Linden had to jump through fiery hoops to knit all together.”

As for the highlight of the process, Wilson singled out the finished product.

“What was a kick was getting some of the mixes back. Getting a track with my voice and Lucinda Williams singing together is pretty cool, you know,” he says of the album’s first song “If I Can’t Have You.”

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